Apparently all the films in the early days of the cinema used to be short. There are no precise characteristics or a criteria for short films, other than the running time. This opens up alot of doorways for me and my short film as i can go in any direction i want to! I searched the internet for information on how to make short films. Here I have 8 brief pointers found online that take you through what to do!
- Introduce main character(s); set the scene.
- Give the character a problem, obstacle, obsession or addiction.
- Let the character work out a plan to overcome the problem.
- Before setting out to solve the problem, there may be a moment of doubt that will require the hero to seek advice from a mentor: teacher, best friend. This is an opportunity to let the audience know more about the problem and weigh it up in their own minds. What would they do?
- With new resolve (and often a magical gift from the mentor: the watches Q gives James Bond; Dorothy's ruby slippers), the hero sets out to overcome the problem, obstacle, obsession or addiction.
- Overcoming the problem or challenge (getting the girl; escaping tyranny; saving the world) will be met by extreme opposition from the rival, who will usually have greater but different strengths and will in some ways bear similarities to the hero: the nemesis is the hero's dark side.
- The hero will appear to fail in his quest. He will give up or glimpse defeat, even death, and will require superhuman effort to overcome this daunting final task.
The hero wins the final battle, with an opponent, or enemy, or with himself, and returns to his natural state wiser, or stronger, or cured, but not necessarily happier. - The journey has made him a different person. He has glimpsed death and can never go back to the simplicity of what he once was.
On the Film Network website It is recommended that you have a really strong beginning;
Most programmers/distributors will be inundated with submissions and so your film has to grab their attention from the very first shot. The harsh reality is that if your film doesn't grab them within the first two minutes,they may not sit through it till the end. Don't waste time on lengthy introductions and credits – spark their interest in the story as quickly as you can. Credits at the start can distract the viewer. Similarly if your film starts with a long establishing shot where nothing really happens, viewers may switch off before you get to show them your great plot and idea. If the pace of your film is naturally slow and ambling, make the shots as rich and enticing as possible to draw the viewer in. Note – a good editor can really transform a film. If you're directing and editing your own film you might be too attached to certain shots to know which bits to chop out to make your film a stronger, more coherent piece.
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